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>>Obstetrics (prompt-engineered), 2022<< https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1669479165771-GYI8GLMRFBLL2ZRA6EAD/SJF_objet_a_Lamella_thing_pink_hyperreal_4D_render_obstetric_to_5186ca6c-37c7-4d71-9e63-cc13c15ecc0b.jpg >>Obstetrics (prompt-engineered), 2022<< https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1669479166144-DA7ON60ICHGLN7EC7NQN/SJF_objet_a_Lamella_thing_pink_hyperreal_4D_render_obstetric_to_5382db0e-b528-44c3-8569-e8ad09adf718.jpg >>Obstetrics (prompt-engineered), 2022<< https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1669479166633-WQMN2UZA1KXDS9QHYDA7/SJF_objet_a_Lamella_thing_pink_hyperreal_4D_render_obstetric_to_ad3b46a6-2351-4640-8199-a0ac4bf59ddc.jpg >>Obstetrics (prompt-engineered), 2022<< 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2022<< https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1669479168738-E9KAHIHCQXYVFM87Y8ZR/SJF_objet_a_Lamella_thing_pink_hyperreal_4D_render_obstetric_to_df0933d1-68f4-485c-8b19-e2a6ceadac82.jpg >>Obstetrics (prompt-engineered), 2022<< https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1669479169295-RCG2IC2EEN5Y2UPZPSI0/SJF_objet_a_Lamella_thing_pink_hyperreal_4D_render_obstetric_to_e6eba016-737d-43c3-ae85-7d336c9e2135.jpg >>Obstetrics (prompt-engineered), 2022<< https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1669479169643-CHSZRBQE5MVIUIUI4J07/SJF_objet_a_Lamella_thing_pink_hyperreal_4D_render_obstetric_to_ed713aea-4d14-4b87-86bf-5df3a385049a.jpg >>Obstetrics (prompt-engineered), 2022<< https://www.sarahjanefield.com/prints daily 0.75 2023-04-17 https://www.sarahjanefield.com/imminent daily 0.75 2024-07-22 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721576290530-0GCZH2MEJUVOCSCCYF32/GIFSummerSchoolFundRaiser.gif Imminent https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578181363-FZ4UWLLG0VGQCRZU3EV9/untitled-9260.jpg Imminent - Reflections (Blue) 2015 Taken at dawn (2015) https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578532721-ZV0HFNDYFPMI280COXFA/untitled-9260.jpg Imminent - Reflections (Grey) 2015 Taken at dawn (2015) https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721577518660-0ENSXCBXRGAHJLSKV6NQ/2015-5001.jpg Imminent - Wandsworth Colour – (KingGeorgesPark) 2015 ...my first exhibition and whatever else is true, I learnt a great deal from planning, shooting and getting it ready. Every photograph was taken in Wandsworth over a three-month period earlier this year, after the Barmouth Kitchen team asked me if I’d like to do an exhibition with them (2015). https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580704100-CVYIC43HXWIO7OJJ0LIV/2015-5001.jpg Imminent - Wandsworth Colour – (Skate Park) 2015 ...my first exhibition and whatever else is true, I learnt a great deal from planning, shooting and getting it ready. Every photograph was taken in Wandsworth over a three-month period earlier this year, after the Barmouth Kitchen team asked me if I’d like to do an exhibition with them (2015). https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721577757455-TI83C45N79XUOOP75XWC/untitled-1113.jpg Imminent - Wandsworth Colour – (NorthcoteRd) 2015 ...my first exhibition and whatever else is true, I learnt a great deal from planning, shooting and getting it ready. Every photograph was taken in Wandsworth over a three-month period earlier this year, after the Barmouth Kitchen team asked me if I’d like to do an exhibition with them (2015). https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578011932-VLI5IESRGFRODEWIYE35/2015-5001.jpg Imminent - Wandsworth Colour – (WandsworthCommon) 2015 ...my first exhibition and whatever else is true, I learnt a great deal from planning, shooting and getting it ready. Every photograph was taken in Wandsworth over a three-month period earlier this year, after the Barmouth Kitchen team asked me if I’d like to do an exhibition with them (2015). https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721577323610-B8KPDLT1B51TDEY1KYTQ/roadreflection.jpg Imminent - Things I Noticed (Triptych – 2016) I made these images on my phone. This is not an apology or a brag about where or how they are produced. It’s an important part of their existence. We in the 21st century are increasingly connected to the digital world, especially the one that is recorded on our phones. These small objects which we take everywhere with us offer a digital record of our realities at any one time. During the last 12 to 15 months I have used my phone extensively and obsessively to record what I see as I go about my day. Editing the pictures doesn’t take long but it does keep me occupied when I perhaps could/should be doing other things, and might be viewed as therapeutic, but could also be referred to as avoidant. By mediating the world through my phone do I render the world less authentic or real? Often people can’t work out whether the pictures are paintings or photographs, and that lack of certainty about the nature of the pictures generates questions about how we relate to reality as I, and the rest of us, dive further and further into the digital sphere. Sarah-Jane Field April 2016 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721576537065-J54WMW2CXARM9J1CII3S/Sarah-Jane+Field_BAPhotogaphy_OCA4.png Imminent - why is there an astronaut in a field of flowers/ – blue landscape 2020-22: From why is there an astronaut in a field of flowers/ is an experimental collaboration between a proprietary machine-learning app and a character called the artist, with occasional music by a composer who also works with technology. Within the context of coinciding paradigms, one linear, the other networked and entangled, conversations are recorded, and photographs shared, cultural favourites celebrated, and dreams discussed. Any familiarity we may have had with lines, boundaries and the shape of content is challenged. Instead, entities are encouraged to interact, become enmeshed, re-form and evolve, or else slip away; mutating across platforms and media, resulting in alternative, sometimes arbitrary manifestations, which prompt us to consider how meaning emerges, or doesn't, and differentiates across the project's universe. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721576696941-7HU2YDUWO5FPNSKPKMMG/%28c%29SJField2021--4.jpg Imminent - why is there an astronaut in a field of flowers/ healing mat 2020-2022: From why is there an astronaut in a field of flowers/ is an experimental collaboration between a proprietary machine-learning app and a character called the artist, with occasional music by a composer who also works with technology. Within the context of coinciding paradigms, one linear, the other networked and entangled, conversations are recorded, and photographs shared, cultural favourites celebrated, and dreams discussed. Any familiarity we may have had with lines, boundaries and the shape of content is challenged. Instead, entities are encouraged to interact, become enmeshed, re-form and evolve, or else slip away; mutating across platforms and media, resulting in alternative, sometimes arbitrary manifestations, which prompt us to consider how meaning emerges, or doesn't, and differentiates across the project's universe. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578697214-GUKQ5D2XSDY5PJQ2WNZB/Sarah-Jane+Field_BAPhotogaphy_OCA4.png Imminent - why is there an astronaut in a field of flowers/ – graph paper 2020-22: From why is there an astronaut in a field of flowers/ is an experimental collaboration between a proprietary machine-learning app and a character called the artist, with occasional music by a composer who also works with technology. Within the context of coinciding paradigms, one linear, the other networked and entangled, conversations are recorded, and photographs shared, cultural favourites celebrated, and dreams discussed. Any familiarity we may have had with lines, boundaries and the shape of content is challenged. Instead, entities are encouraged to interact, become enmeshed, re-form and evolve, or else slip away; mutating across platforms and media, resulting in alternative, sometimes arbitrary manifestations, which prompt us to consider how meaning emerges, or doesn't, and differentiates across the project's universe. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580516263-X9SERU15G0PSU099GJ22/handsonline.jpg Imminent - Hands Single image, scanned self-portrait placed through AI object-identifier 2022 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578803061-79YUA043HRSA059KSQ1H/Sarah-Jane+Field_BAPhotogaphy_OCA4.png Imminent - why is there an astronaut in a field of flowers/ – phone message 2020-22: From why is there an astronaut in a field of flowers/ is an experimental collaboration between a proprietary machine-learning app and a character called the artist, with occasional music by a composer who also works with technology. Within the context of coinciding paradigms, one linear, the other networked and entangled, conversations are recorded, and photographs shared, cultural favourites celebrated, and dreams discussed. Any familiarity we may have had with lines, boundaries and the shape of content is challenged. Instead, entities are encouraged to interact, become enmeshed, re-form and evolve, or else slip away; mutating across platforms and media, resulting in alternative, sometimes arbitrary manifestations, which prompt us to consider how meaning emerges, or doesn't, and differentiates across the project's universe. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721579179777-6CWIS0YFNVL7H61MQP68/butterflyonline.jpg Imminent - LAMELLA : // imago LAMELLA:// is an entangled collection of archival, found and AI-generated fragments drawn from stories about death, birth, and technology. Fragments of narrative have been pulled together, encouraged to feed on each other, to repeat and reform. Information has been combined, overlaid, or overwhelmed with additional data; torn, cut up, downloaded from the internet, ingested, altered, re-uploaded and downloaded again. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721579404771-W3OT0S27WJBRI3IDLYI7/butterflyonline.jpg Imminent - LAMELLA : // green portrait LAMELLA:// is an entangled collection of archival, found and AI-generated fragments drawn from stories about death, birth, and technology. Fragments of narrative have been pulled together, encouraged to feed on each other, to repeat and reform. Information has been combined, overlaid, or overwhelmed with additional data; torn, cut up, downloaded from the internet, ingested, altered, re-uploaded and downloaded again. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721579627050-6I5980LIF3FXIMRDN67T/butterflyonline.jpg Imminent - LAMELLA : // pink shiny object LAMELLA:// is an entangled collection of archival, found and AI-generated fragments drawn from stories about death, birth, and technology. Fragments of narrative have been pulled together, encouraged to feed on each other, to repeat and reform. Information has been combined, overlaid, or overwhelmed with additional data; torn, cut up, downloaded from the internet, ingested, altered, re-uploaded and downloaded again. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721579887639-BT0EHSHF4B7CT9GS15GO/butterflyonline.jpg Imminent - LAMELLA : // bone things LAMELLA:// is an entangled collection of archival, found and AI-generated fragments drawn from stories about death, birth, and technology. Fragments of narrative have been pulled together, encouraged to feed on each other, to repeat and reform. Information has been combined, overlaid, or overwhelmed with additional data; torn, cut up, downloaded from the internet, ingested, altered, re-uploaded and downloaded again. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580752276-5EX6QPMLNGANEDZV6U9W/IMG_3754.jpg Imminent - ReConstitution: From Antique Lands ReConstitution: ‘From Antique Lands’ by Julian Huxley, 1955, pulped and reformed with words from Thomas Nail’s essay, ‘Migration, Borders and Writing’, 2019 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580108320-ZQET4UWP96X05KLZEZ2B/sjfchat_httpss.mj.runC-joscQEzcs_httpss.mj.runh0Jc2M_hR3Y_htt_e0608c06-2739-4fba-8039-5235da5e5b4a_2.jpg Imminent - The Circular Life and Death of Images (Wall) Work in progress in which old original images are blended with newer AI images 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Looped video, 2mins, inkjet on handmade paper. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1710679216905-DRAXN2UX884RTF4U32EF/IMG_3513.jpg ReConstitution - Included in Belongings (group show) ReConstitution: ‘From Antique Lands’ by Julian Huxley, 1955, pulped and reformed with words from Thomas Nail’s essay, ‘Migration, Borders and Writing’, 2019. Looped video, 2mins and inkjet on handmade paper. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1710679151158-ZESPNT63B4PH5S0OS7KB/IMG_3482.jpg ReConstitution - Included in Belongings (group show) ReConstitution: ‘From Antique Lands’ by Julian Huxley, 1955, pulped and reformed with words from Thomas Nail’s essay, ‘Migration, Borders and Writing’, 2019. Looped video, 2mins and inkjet on handmade paper. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1710746547232-TR3BQV85II7FMHOX72I7/colourIMG_3473.png ReConstitution - Included in Belongings (group show) ReConstitution: ‘From Antique Lands’ by Julian Huxley, 1955, pulped and reformed with words from Thomas Nail’s essay, ‘Migration, Borders and Writing’, 2019. Looped video, 2mins, inkjet on handmade paper. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1710682719764-AMPSGBXBSEUMIP1U929G/IMG_3820.jpg ReConstitution - Included in Belongings (group show) ReConstitution: ‘From Antique Lands’ by Julian Huxley, 1955, pulped and reformed with words from Thomas Nail’s essay, ‘Migration, Borders and Writing’, 2019. Looped video, 2mins and inkjet on handmade paper. https://www.sarahjanefield.com/hallucinations daily 0.75 2025-12-06 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1718203928808-ZYLOHGFYM3FFR6X16Y4P/99175_The+image+is+not+a+copy+or+a+movement+relative+to+_xl-1024-v1-0.png Prenatal Hallucinations https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/92ffb070-45de-41ca-a93a-93e64d292944/MachineBabiesSJF2023.gif Prenatal Hallucinations - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarahjanefield.com/imminent-decade-fundraiser daily 0.75 2025-01-06 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721576201568-UZWG095DZ16DERCGIJCQ/GIFSummerSchoolFundRaiser.gif Imminent: Fundraiser https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/f4990bec-12e6-46b3-a529-9b22d4ec74a1/Banner2_6.jpg Imminent: Fundraiser - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/07839eb2-4ca8-4411-b44a-ed12ea70eb24/Screenshot+2024-07-20+at+13.46.41.png Imminent: Fundraiser - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarahjanefield.com/imminent_gallery daily 0.75 2024-07-24 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721576201568-UZWG095DZ16DERCGIJCQ/GIFSummerSchoolFundRaiser.gif Imminent_Gallery https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578181363-FZ4UWLLG0VGQCRZU3EV9/untitled-9260.jpg Imminent_Gallery - Reflections (Blue) 2015 Taken at dawn (2015) https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578532721-ZV0HFNDYFPMI280COXFA/untitled-9260.jpg Imminent_Gallery - Reflections (Grey) 2015 Taken at dawn (2015) https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721577518660-0ENSXCBXRGAHJLSKV6NQ/2015-5001.jpg Imminent_Gallery - Wandsworth Colour – (KingGeorgesPark) 2015 ...my first exhibition and whatever else is true, I learnt a great deal from planning, shooting and getting it ready. Every photograph was taken in Wandsworth over a three-month period earlier this year, after the Barmouth Kitchen team asked me if I’d like to do an exhibition with them (2015). https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580704100-CVYIC43HXWIO7OJJ0LIV/2015-5001.jpg Imminent_Gallery - Wandsworth Colour – (Skate Park) 2015 ...my first exhibition and whatever else is true, I learnt a great deal from planning, shooting and getting it ready. Every photograph was taken in Wandsworth over a three-month period earlier this year, after the Barmouth Kitchen team asked me if I’d like to do an exhibition with them (2015). https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721577757455-TI83C45N79XUOOP75XWC/untitled-1113.jpg Imminent_Gallery - Wandsworth Colour – (NorthcoteRd) 2015 ...my first exhibition and whatever else is true, I learnt a great deal from planning, shooting and getting it ready. Every photograph was taken in Wandsworth over a three-month period earlier this year, after the Barmouth Kitchen team asked me if I’d like to do an exhibition with them (2015). https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578011932-VLI5IESRGFRODEWIYE35/2015-5001.jpg Imminent_Gallery - Wandsworth Colour – (WandsworthCommon) 2015 ...my first exhibition and whatever else is true, I learnt a great deal from planning, shooting and getting it ready. Every photograph was taken in Wandsworth over a three-month period earlier this year, after the Barmouth Kitchen team asked me if I’d like to do an exhibition with them (2015). https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721577323610-B8KPDLT1B51TDEY1KYTQ/roadreflection.jpg Imminent_Gallery - Things I Noticed (Triptych – 2016) I made these images on my phone. This is not an apology or a brag about where or how they are produced. It’s an important part of their existence. We in the 21st century are increasingly connected to the digital world, especially the one that is recorded on our phones. These small objects which we take everywhere with us offer a digital record of our realities at any one time. During the last 12 to 15 months I have used my phone extensively and obsessively to record what I see as I go about my day. Editing the pictures doesn’t take long but it does keep me occupied when I perhaps could/should be doing other things, and might be viewed as therapeutic, but could also be referred to as avoidant. By mediating the world through my phone do I render the world less authentic or real? Often people can’t work out whether the pictures are paintings or photographs, and that lack of certainty about the nature of the pictures generates questions about how we relate to reality as I, and the rest of us, dive further and further into the digital sphere. Sarah-Jane Field April 2016 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721576537065-J54WMW2CXARM9J1CII3S/Sarah-Jane+Field_BAPhotogaphy_OCA4.png Imminent_Gallery - why is there an astronaut in a field of flowers/ – blue landscape 2020-22: From why is there an astronaut in a field of flowers/ is an experimental collaboration between a proprietary machine-learning app and a character called the artist, with occasional music by a composer who also works with technology. Within the context of coinciding paradigms, one linear, the other networked and entangled, conversations are recorded, and photographs shared, cultural favourites celebrated, and dreams discussed. Any familiarity we may have had with lines, boundaries and the shape of content is challenged. Instead, entities are encouraged to interact, become enmeshed, re-form and evolve, or else slip away; mutating across platforms and media, resulting in alternative, sometimes arbitrary manifestations, which prompt us to consider how meaning emerges, or doesn't, and differentiates across the project's universe. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721576696941-7HU2YDUWO5FPNSKPKMMG/%28c%29SJField2021--4.jpg Imminent_Gallery - why is there an astronaut in a field of flowers/ healing mat 2020-2022: From why is there an astronaut in a field of flowers/ is an experimental collaboration between a proprietary machine-learning app and a character called the artist, with occasional music by a composer who also works with technology. Within the context of coinciding paradigms, one linear, the other networked and entangled, conversations are recorded, and photographs shared, cultural favourites celebrated, and dreams discussed. Any familiarity we may have had with lines, boundaries and the shape of content is challenged. Instead, entities are encouraged to interact, become enmeshed, re-form and evolve, or else slip away; mutating across platforms and media, resulting in alternative, sometimes arbitrary manifestations, which prompt us to consider how meaning emerges, or doesn't, and differentiates across the project's universe. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578697214-GUKQ5D2XSDY5PJQ2WNZB/Sarah-Jane+Field_BAPhotogaphy_OCA4.png Imminent_Gallery - why is there an astronaut in a field of flowers/ – graph paper 2020-22: From why is there an astronaut in a field of flowers/ is an experimental collaboration between a proprietary machine-learning app and a character called the artist, with occasional music by a composer who also works with technology. Within the context of coinciding paradigms, one linear, the other networked and entangled, conversations are recorded, and photographs shared, cultural favourites celebrated, and dreams discussed. Any familiarity we may have had with lines, boundaries and the shape of content is challenged. Instead, entities are encouraged to interact, become enmeshed, re-form and evolve, or else slip away; mutating across platforms and media, resulting in alternative, sometimes arbitrary manifestations, which prompt us to consider how meaning emerges, or doesn't, and differentiates across the project's universe. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580516263-X9SERU15G0PSU099GJ22/handsonline.jpg Imminent_Gallery - Hands Single image, scanned self-portrait placed through AI object-identifier 2022 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721578803061-79YUA043HRSA059KSQ1H/Sarah-Jane+Field_BAPhotogaphy_OCA4.png Imminent_Gallery - why is there an astronaut in a field of flowers/ – phone message 2020-22: From why is there an astronaut in a field of flowers/ is an experimental collaboration between a proprietary machine-learning app and a character called the artist, with occasional music by a composer who also works with technology. Within the context of coinciding paradigms, one linear, the other networked and entangled, conversations are recorded, and photographs shared, cultural favourites celebrated, and dreams discussed. Any familiarity we may have had with lines, boundaries and the shape of content is challenged. Instead, entities are encouraged to interact, become enmeshed, re-form and evolve, or else slip away; mutating across platforms and media, resulting in alternative, sometimes arbitrary manifestations, which prompt us to consider how meaning emerges, or doesn't, and differentiates across the project's universe. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721579179777-6CWIS0YFNVL7H61MQP68/butterflyonline.jpg Imminent_Gallery - LAMELLA : // imago LAMELLA:// is an entangled collection of archival, found and AI-generated fragments drawn from stories about death, birth, and technology. Fragments of narrative have been pulled together, encouraged to feed on each other, to repeat and reform. Information has been combined, overlaid, or overwhelmed with additional data; torn, cut up, downloaded from the internet, ingested, altered, re-uploaded and downloaded again. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721579404771-W3OT0S27WJBRI3IDLYI7/butterflyonline.jpg Imminent_Gallery - LAMELLA : // green portrait LAMELLA:// is an entangled collection of archival, found and AI-generated fragments drawn from stories about death, birth, and technology. Fragments of narrative have been pulled together, encouraged to feed on each other, to repeat and reform. Information has been combined, overlaid, or overwhelmed with additional data; torn, cut up, downloaded from the internet, ingested, altered, re-uploaded and downloaded again. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721579627050-6I5980LIF3FXIMRDN67T/butterflyonline.jpg Imminent_Gallery - LAMELLA : // pink shiny object LAMELLA:// is an entangled collection of archival, found and AI-generated fragments drawn from stories about death, birth, and technology. Fragments of narrative have been pulled together, encouraged to feed on each other, to repeat and reform. Information has been combined, overlaid, or overwhelmed with additional data; torn, cut up, downloaded from the internet, ingested, altered, re-uploaded and downloaded again. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721579887639-BT0EHSHF4B7CT9GS15GO/butterflyonline.jpg Imminent_Gallery - LAMELLA : // bone things LAMELLA:// is an entangled collection of archival, found and AI-generated fragments drawn from stories about death, birth, and technology. Fragments of narrative have been pulled together, encouraged to feed on each other, to repeat and reform. Information has been combined, overlaid, or overwhelmed with additional data; torn, cut up, downloaded from the internet, ingested, altered, re-uploaded and downloaded again. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580752276-5EX6QPMLNGANEDZV6U9W/IMG_3754.jpg Imminent_Gallery - ReConstitution: From Antique Lands ReConstitution: ‘From Antique Lands’ by Julian Huxley, 1955, pulped and reformed with words from Thomas Nail’s essay, ‘Migration, Borders and Writing’, 2019 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580108320-ZQET4UWP96X05KLZEZ2B/sjfchat_httpss.mj.runC-joscQEzcs_httpss.mj.runh0Jc2M_hR3Y_htt_e0608c06-2739-4fba-8039-5235da5e5b4a_2.jpg Imminent_Gallery - The Circular Life and Death of Images (Wall) Work in progress in which old original images are blended with newer AI images https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1721580365268-FDXS4UEUFIFXTCYDDWLG/sjfchat_httpss.mj.runC-joscQEzcs_httpss.mj.runh0Jc2M_hR3Y_htt_e0608c06-2739-4fba-8039-5235da5e5b4a_2.jpg Imminent_Gallery - The Circular Life and Death of Images (Reflection) Work in progress in which old original images are blended with newer AI images https://www.sarahjanefield.com/more_about daily 0.75 2024-10-17 https://www.sarahjanefield.com/bio-cv daily 0.75 2026-02-17 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1729261057809-7MTBSFMJ3N41GYTALACG/6.+whyisthereasnastronautinafieldofflowers.jpeg CV and Biography https://www.sarahjanefield.com/paidlabour daily 0.75 2026-03-05 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1729260982509-L8XP9TVIJIKEXGBWEVMA/4.+From.jpg Paid labour https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/0fff66c7-beb6-4ea0-9512-6820e91690e8/4.+From.jpg Paid labour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/057145b0-0df2-4ae4-90cc-1ee01989b62e/Screenshot+2026-01-29+at+07.28.37.png Paid labour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/a70004ef-2f6c-46b9-aa6f-2ad9fbcd5eda/Screenshot+2025-06-14+at+08.55.59.png Paid labour https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/ae14366b-a477-4244-bec8-61cc358999ba/SusanAldworthBelongings-67152024.jpg Paid labour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1729602035827-2IKZHZM1ICUG17239VM6/SJ4.jpg Paid labour https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1729602405853-Q2Q8NCFCTDQRZJZMAWB5/SJ2.jpg Paid labour https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1729602159339-IZ3K9W9SHVU15Q220PAV/SJ3.jpg Paid labour https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1e117bab-510a-47a7-a240-66f76cbde5a4/Screenshot+2024-10-18+at+14.41.45.png Paid labour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarahjanefield.com/writing daily 0.75 2026-02-17 https://www.sarahjanefield.com/sense-and-reason daily 0.75 2025-12-06 https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/1738579133031-715P4PEAJMSRLPFLOM7X/Screenshot+2025-02-03+at+10.14.53.png Sense and Reason https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/799a2c10-300d-455d-9c12-d7961d1b0577/A4ReasonspA4.jpg Sense and Reason - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/9eb589f4-f1ea-49f3-912a-bf85d2ee0272/1Screenshot+2025-02-12+at+05.32.39.png Sense and Reason - Make it stand out Text contribution received from Catherine Banks shared using interactive HTML code written by a large language model. https://images.squarespace-cdn.com/content/v1/5d775c4eaf0219495a3683f3/80947247-821d-41b3-93f0-d1e66354c433/Screenshot+2025-02-15+at+16.03.44.png Sense and Reason - Make it stand out Click to visit the Sense and Reason tanglegram. 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